Idea Tools

Five ways to think a record through without writing prose first — each a different question asked of whichever character, place, event or thread you're stuck on. None of them use AI, need an API key, or send anything off this Mac: every one is a local, manual tool that reads or writes fields already on the record, the same fields the record's own Full view shows.

ToolPrompts you to work outApplies to
Context MapWhat this record is, defined against the context around it.Any record
Description WebThe qualities that describe it, filled in as a set of adjectives.Any record
Compare & ContrastWhat it shares with another record, and what tells the two apart.Any record
Cause & EffectWhat caused this event, and what followed from it.Events only
Scene BuilderWhat the scene is fighting over, then the six beats it runs on.Scenes only

Reaching a tool

There isn't one door — the same five tools turn up in several places, and which ones are offered depends on where you are:

A record's context menu with Idea Tools expanded as a submenu, listing Context Map — Define in Context, Description Web — Describe, Compare & Contrast — Compare With…, a greyed-out Cause & Effect — Causes & Effects, and Scene Builder — Conflict & Beats. The submenu as it appears from a right-click or a record's own ··· menu — Cause & Effect greyed out because this row isn't an Event.
The Story Bible browser's third view, Folders (Notes only), offers none of the five from its own row — switch to Table or Gallery, or open the note itself, to reach one.

Why some are greyed out

Wherever the full five-item Idea Tools submenu appears — the menu bar, a record's own ··· menu, or the browser's right-click menu — every item stays visible even when it doesn't apply, rather than disappearing: a menu whose contents change per record type is harder to learn than one that's sometimes disabled. Two rules decide what's enabled:

The standalone Scene Builder… items — in the browser's row menu and the binder's scene row — behave differently: they don't grey out, they simply aren't offered at all unless the row is a scene. Choosing an enabled submenu item opens that tool as a sheet over the record it was opened from — except Description Web and Cause & Effect reached through a record's own tabs (above), which were never a sheet to begin with.

What each one actually does

This is the part worth knowing before you open one: three of the five write straight onto the record's real fields the moment you type, exactly as if you'd opened the Full view instead — there's no separate draft that needs saving or discarding. The other two don't take input at all.

Context Map

Its Inner Ring binds directly to the record's own name, summary, work membership and reveal point — the same fields Full view edits — and its Notes ring writes straight onto the record's own notes field. Nothing here is a copy.

Its first stage offers a starting Bible Template. Picking one seeds several fields at once from a template — genuinely useful on a blank record, which is also why a brand-new record opens here automatically. Applying a template is previewable and additive: it shows you which fields it would fill and which it's leaving alone, and it never overwrites a field that already has an answer, whether the record is brand new or well underway. It's safe to use at any point, not just while the record is still empty. Right-click a template in the picker for Edit… or Duplicate…, or add your own with New Template… — see The Story Bible for the full catalogue and its editor.

Description Web

Every bubble is a live view onto one catalog field, not a scratch copy of it — type an adjective into a bubble and you've written it directly onto the record. There's nothing separate to save; closing the map just closes the view.

A Location's web draws on two groups of fields together: the five physical senses, and the "character of the place" fields — climate, architecture, era, population, primary language, danger level — that otherwise only show up on the record's own Profile tab. A Location can be anything from a room to a continent, and no single set of bubbles fits both ends of that range on its own: a room has a smell but no population worth naming, a province has a population but nothing worth calling its taste. Whichever half doesn't apply to a given record is just left dashed — toggle Show unanswered off to see only what's actually been filled in.

Every other record type draws on whichever of its own fields are short enough for a bubble and hold their own answer directly rather than pointing at another record: an Object's material, colour, size and condition; an Organization's member count, founding and dissolution; a Plot Item's weight, actual truth, and what the reader is meant to believe instead; a Story Arc's central question and conflicts alongside its full initial state through aftermath progression — enough fields that a Story Arc's map often shows more than one ring can hold, with the rest counted on the "N more on the Profile" line the same way an over-full Character or Location does. A Theme's map covers its statement plus how it's introduced, develops and resolves.

Compare & Contrast

Read-only. It lines up two records' already-filled-in fields and shows where they agree and where they don't — there is nothing to type into it, and closing it changes neither record. It's for telling two similar characters or places apart, not for filling either one in; do that in Full view or Description Web first.

Both sides get their own manuscript menu above the record picker, in a project with more than one — narrow to a manuscript first, then choose the record from just that book, rather than hunting one alphabetical list of every record in the project. Either side can be swapped from inside the tool, including the one it opened on, so comparing two scenes from different manuscripts is a matter of picking a manuscript for each, not a prerequisite for opening the tool at all.

The Compare & Contrast diagram: two manuscript-and-record pickers reading Alberta and New Brunswick, a legend for Shared, Only Alberta and Only New Brunswick, and two hubs connected by spokes to green shared bubbles between them and blue or purple bubbles unique to each side. Shared fields sit in green between the two hubs; each side's own flank holds what only it has. The same comparison as a scrollable list, one field per row, shared fields tagged and both records' values shown side by side. The list view, from the toggle beside the manuscript pickers — the same diff, easier to read when a record has a lot of shared fields to scroll through.

Cause & Effect

Also read-only — a diagram of links already recorded in the Event's own Cause & Effect section elsewhere on the record. An empty map isn't broken, it's asking you to fill in that section on the record itself; the map only ever draws what's already there.

Scene Builder

Writes directly onto the scene's Goal, Stakes, Conflict and Crisis Choice, then its six narrative beats (Hook, Setup, Trigger, Argument, Action, Climax) — the identical fields the scene's own Beats section shows inline. Working through the builder is filling in the scene; there's no draft layer sitting apart from it. The want/need panel it shows alongside is read-only on purpose, reading the viewpoint character's own external goal and internal need rather than offering a second place to edit them, which would only give the two a chance to disagree.